Showing posts with label Australia. Show all posts
Showing posts with label Australia. Show all posts

8/31/15

Horsehunter - 2014 - Caged in Flesh 2014 (review)




No country has ever grabbed my attention more than Australia, as it is there that many brilliant tunes started to emerge. “Clagg” and “Adrift for Days” have so far been proudly sitting in the top ten list of my favorite bands, with cosmic vibes of the latter perfectly complementing the sludgy riffs of the former. However, it was not until the discovery of Horsehunter that I realized there was place for one more, not only matching the mentioned bands in terms of quality and sound, but also to some extent giving them a back seat.


Nothing in the world demands more attention than a band that simply sounds huge, and no adjective more aptly or concisely describes Horsehunter. Once the openings seconds of “Stoned to Death” punish your ears with massive, downturned to ferocious degree and gargantuan riffs, all doubts regarding the quality of the final product are immediately dispelled. Not only do you realize that you are in for a long, catchy and simply heavy ride, but give it a chance to go for numerous spins unlike anything you have ever heard before. No really, Horsehunter’s blend of Clagg-inspired sludge, heavy doom and some slight touches of stoner rock create a poisonous cauldron that will keep your ears attached to the speakers for a huge number of spins. 

Album’s Opener, “Stoner to Death” is my personal favorite here, with its heaviness still resonating in my eardrum. No really, what these folks have achieved is a top-quality piece of work. Starting with calm, psychedelic vibes, it quickly evolves into catchy and lead-heavy sludge, with repetitive riffs paving its way through any obstacles. It reaches the climax of heaviness from around 3:00, with thick, plodding riffs leaving to mercy to anything standing on their way.  Some short stoner rock solos water the mixture down here and there, but the whole picture remains intact with the total pace becoming faster as the song progresses further. It slows down closer towards the end, justifying every moment with more atmospheric, but still insanely heavy wall of sound wisely mixed with psychedelic solos and Sleep-like vocals.


Caged in Flesh, the second track of the album is nothing short of the quality of the opener, but is inferior in terms of originality. Starting with somewhat catchy, groovy sludge-doom riffs, the track delivers exactly what you would expect from top-quality sludge-doom band, with guitars delivering long, drawn-out chord progressions with catchy drums keeping you mesmerized throughout the first 3 minutes of the song. It is on this moment that things get really SLOW, with catchy, Sourvein-styled riffs giving way to slow, almost motionless comatose madness. Riffs pick up the pace as the track lurches forward, rewarding the listener with top-quality sludge-doom dominated by with massive guitar sound totally filling the soundscape. Heavily distorted guitars, accompanied by downbeat drums set the foundation for the remainder of the song, keeping you energized until the last seconds of this 12-minute monster. Nice song, but not even near close to the perfection of album’s opener.


Anyway, to say that Horsehunter have produced a great album would be an underestimation. They have delivered one of the best albums in the genre, which could have been even better were it not for the mediocrity of the second track. With thick, juicy sound, tailored to the needs of all sludge enthusiasts, “Caged in Flesh” is a solid addition to the Australian pantheon.
8.5/10

(Review by Den)

9/15/14

Low Fly Incline - 2014 - Other Desert City






- Хочешь,я покажу тебе пустыню.....??? Не такую, какой ты её себе представлял, нет - совсем не такую....

Именно с таких слов мы начинаем сегодня обзор дебютного лонгплея "Other Desert City" дуэта из Австралии - группы Low Fly Incline. Говоря о дуэте всё же уместно будет внести небольшую поправку-в записи альбома непосредственное участие принимал малоизвестный дядя, некто Scott Reeder, в студии которого собственно и был записан этот 12-ти трековый альбом. Сам свой музыкальный материал парни охарактеризовывают в пределах следующих жанровых предпочтений - desert rock,blues & punk. По-моему, ребята совершенно зря постеснялись указать стоунер-рок. Что же, давайте разбираться....



Стартует альбом с композиции Vinnie The Rune - драйвого боевика, с утяжелённой концовкой. За ним выплывает Strung Flowers - здесь обороты слегка сбавлены, однако звук на высоте. Вообще,стоит отметить превосходнейшее звучание коллектива, иногда даже не верится, что перед нами дуэт. Fake Disguise - агрессивное начало, средний темп и расслабленный вокал. Slight Bend вообще напоминает снаряд из творчества группы Nirvana, с поправкой на звук, конечно же. Далее на полных оборотах к нам приближается Burnley Timber, и показывая неприличный жест, уносится вдаль. За ним в таком же темпе пролетает Sire Desire. Other Desert City - прямой отсыл к творчеству Q.O.T.S.A. - мрачноватый среднетемповый триллер с нетривиальным окончанием. Silver Cadillak - вещичка примерно оттуда же,как и следующая за ней шикарная Baby Back и красивая Four Moons( Scott Reeder, ребята - не забываем о нём!). В конце альбома после 10-ти короткометражек нас ждут два долгоиграющих трека - 9-ти минутный психоделический Three Cheers и пустынный атмосферный 19-ти минутный Ode To Former Members...

После прослушивания альбома возникает смешанное чувсвто некоторой узнаваемости материала и какой-то недосказанности.И сделано это не зря - есть повод ждать продолжения путешествия или по крайней мере,повторной поездки с включённым на полную мощность двигателем.
 
(Review by Dron)
 


Buy CD here:

7/30/14

Lizzard Wizzard (Interview)



I'm really glad to have this interview with you. Ok, let's start with exchanging our national t-shirts and jokes about the horse in the bar))

Hey, man. Thanks for the interest, really appreciate it.  


What was the emotions that overwhelmed you when you took your first album in your hands?

Oh dude, we were all purely stoked. Mark Perry who recorded us did a crazy good job. Same with Brad Boatright from Audiosiege with the mastering, Iain Danvers with the art and Houdini Tapes for making the killer tape bundle.

No matter how I tried, I couldn't find comprehensible info about your band. So, I think it's time for you to tell us some of the band's biography)

Lizzard Wizzard is essentially an excuse to hang the fuck out weekly. We're all big time pals and Luke, Nick and I share members in our other bands SMHG, The Fevered and FVCK MOUNTAIN.

Who came up with an idea to release album on cassette, and not only that, but even with such great “bonus” inside?) I heard it’s already sold out)

Houdini Tapes from California got in contact with us for any interest to do a tape release.  All kudos goes to them for the amazing bundle ideas.  I think there are a few left up on TAPEWORSHIPREC (https://www.facebook.com/TAPEWORSHIPREC) but those are it!
Recently you announced that you going to enter the studio and new release is going to be split album. Who’s the other band that share album with you, or is it a secret for now?)

We've just finished up vocals for the release, everything's sounding a lot tighter and the thought process going into the songs is a lot more involved.  We jammed these songs out while writing for another full length that we hope to release later on this year.  More will be revealed about the split very soon 8-)


Let
's talk a little about gigs. What was the most extreme/worst place where you played?


The most fun we've had at shows was our recent jaunt down to Sydney (about 12 hours driving away from our hometown), playing at an awesome venue called Blackwire Records, and at a venue where Tony Hawks Pro Skater 3 on a projector screen was set up, a mini half-pipe was also set up, a smoke room filled with lasers and a lot of alcoholic beverages.

What is stone/sludge for you amigos? Is it The way of life, just fun or maybe something else?

Remember in the 80's Transformer movie where some of the Autobots crash land on the Junk Planet and Wreck-Gar is a total bro to the Autobots after he was a dick to them?  Pretty much that but with more drugs.

Tell us a little about every member of the band, who, how, especially I’m interested in your credit card numbers!))

I make a real good french press coffee. Luke can recite the whole Skeletor vs Beastman rap from CKY. Clarke does a mean BBQ. Nick has this generation's stinkiest butt.

What's the thing that keeps you moving on and doesn't let you quit music and underground?

Ain't nothin' gonna break our stride. Ain't nothin' gonna hold us down. No no. We got to keep on riffing.

How do you attune yourself before going on stage? Do you have your own recipe of good gig?

Cool friends, free frothy beers, maybe a cheeky jazz cigarette? I think that we get together and it's always super giggly and people really seem to respond to that.

And what about stage-diving, do you like to jump off the stage yourself? Or are you a fan of staying to the side with a beer in your hand and enjoying the show?)

STAGE DIVING IS SICK. People can totally stage dive to Lizz Wizz whenever they want, although they'd probably be moving pretty slowmo ith our tunes, haha.

A bit about persuasion... What a conception must have sludge song for you? And what do you think are superfluous elements in this style?

Vibes! Vibes are everything. Fuckin' Eyehategod sounds so haggard and it really comes through in the recordings. We don't really like over-use of samples in sludge or people who get way too caught up in "who uses what gear".

I know that you're fans of lying on a couch and watching movies, so am I, he he. And it's always good to have a beer with the movie. What's the best beer in Australia?)

Don't believe a word of what you're hearing about Fosters. That really isn't a thing here. What even is that.

We really enjoy the local stylings of Stone and Wood or Coopers Pale or Matlida Bay Fat Yaks. Great stuff and not like, craft beer pricey.

What a most stupid thing do you did in personal life?

Luke has a monster of a story involving caffeine pills, and it goes a little something like this, in his words;

"I just finished work at a shitty job I had when I was 17/18, and was heading to a deathcore show about 40 minutes on the train away from work.  Being tired, a decision was made by me to buy a 24 pack of "No-Doz" (cheap caffeine pills) which I had taken occasionally in my life, and I felt that they were meant to work as a placebo to feeling tired.  After washing all 24 down with 2 cans of redbull in about 15 minutes, I met up with a friend, and got on an express train that wouldn't stop at a station for 20 minutes.  This turned out to be a poor idea, as my body at this point decided to reject the pills via vomiting, which wasnt a desirable outcome as it was on a 5:00pm packed peak hour train.  Luckily a nice girl who I accidentally sprayed vomit on, and my friend helped me off the train three stops before the one we were aiming for.  I washed myself as best as I could in a shitty suburb train toilet, and pushed onto the gig.  I missed out on seeing the bands as I was dropping in and out of consciousness on a kitchen floor, vomiting for a solid 15 minutes or so before deciding to walk back to the train station and go home.  After walking home in extreme pain/embarrassment from the vomiting, I ended up in the fetal position in my shower with my mum having to deal with my shit.  After much more vomiting/mum, I got to bed, vomited more, sprouted an erection that wouldnt go away for 2-3 hours, had to crawl past my mum and try to hide said erection due to filling my vomit bucket up in my room. 

In conclusion, dont do drugs."

Who’s the greatest scaly wizard in your band?) Could he cast me a beer for example, hehe?)
We are all a bit scaly, I think.

Well, our bong is almost empty now, so finish it, guys) A couple of last words from you, please, for our readers.


Thanks man, its been great. Hopefully you will hear from us soon with new jams!

(Interview by Bilous)

12/23/13

Fattura Della Morte - 2013 - Ouranophobia (EP)


This is perfect DIY sludge for your Monday night.
Nothing more nothing less.
Full of sick lyrics and slow/fast tunes on both sides.

These guys ain't go fast and not even try becoming popular. 
"Ouranophobia" is their 2nd EP in last 6 years after "Grim, Drunk & Frostbitten" EP and "Dead, Deader, Deadest" Demo '07.
This time it's a vinyl release only.
So mp3 lovers, please funk off.

The recording sessions and mix was done in 17 hours.
Sometimes the masterpiece works out from the first sketch.
This time it happened that way.  


Musically FxDxMx is non-compromised sludge with the strong concrete hardcore/punk basement.
Here's everything I love about such kind of noise. Eyehategode'sque  sickness, Iron Monkey's structural cuts, heaviness of Grief, Raw spirit of Black Flag.
Buy LP and check it yourself.

Lyrically its 7/24 sick&tired dairy of life.
So close to every of us.
Wiki says  : "Fear of heaven, also known by its Greek-derived name uranophobia or ouranophobia, is a phobia that makes its sufferer fear heaven or the sky
The origin of the word urano is Greek, meaning heaven, while phobia is Greek for fear."

I really love the minimalistic artwork on both, the previous and recent EP.

Release Party Art rocks as well.


This is oldschool lesson of pure sludge violence !
FDM still kicking the shit outta nowhere with the same line up through the years !



Listen to the 1st track from the EP here :

Please Support the band

You can pick your copy here or write to the band.

(Review by PhillO)))

11/13/13

Clagg - 2013 - Gather your beasts (Review)






Allright. We've started this blog with Clagg's "Lord of the Deep" album.
And It's a honor for us to represent ya the fresh beast from the distant lands....
After 4 years of silence and  some line-up changes here it comes - the slowest and heaviest concrete mixer in the Galaxy !

-PhillO)))-


With the worldwide doom scene drowning in in endless attempts of self-replication with most of the bands preferring to stick to the well-recognized formula instead of retaining the face of its own, many young bands have disappeared in the oblivion of creative hiatus or simply faded into obscurity after such a long gap between releases. This is especially true if the band has failed to gather a decent following on the back of the previous releases, making the return more challenging. All this doesn’t apply to Melbourne’s sludge/doom outfit  CLAGG, whose 4-th coming is not only the continuation of the previous glory, but a step forward to some extent.
Yep, four long years of tedious waiting have finally come to an end, and Australian finest sludge/doom formation CLAGG are back with the 4-th full-length entitled “Gather your beasts”- and quite frankly the 4th gathering of the Melbourne’s purveyors of ear-splattering madness has produced one of the heaviest albums this fall, if not the entire year to say the least.  

The first listening of this beast left me with an irresistible urge to take it for one more spin ,as the relentless mixture of filthy sludge occasionally blended with touches of Sabbathian  doom  and at many points retaining high degree of commonality with the Cthulthu-influenced riffage of the “Lord of The Deep” was too much for me adopt a superficial approach, so I simply decided to indulge myself and  started the album from the very beginning. 




What immediately becomes apparent, especially throughout the second ride, is the abundance of versatility the guys have achieved here, which make it like there was no rupture in time. Everything what we have loved Clagg for is here and straight to the point, without backspeppings or any deviations from the traditions of the previous release. I think that everyone has already understood that what we have on the 4-th album is the continuation of the “Lord of The Deep” era traditions, which even at that time was to some extent an attempt to satisfy wider audience in my opinion. The gargantuan mammoths prevalent on “Where The Dead Gods Sleep” have been given back seat in favor of more groovy and “peaceful” passages, while occasional presence of more doom-laden parts  could have been easily rejected in favor of slower-paced, feedbacked monstrosities of  “Where the Dead Gods Sleep”. Yes, I do confess to the fact that “Where the Dead Gods Sleep” is my favorite one ,and simply cannot count all hours  that I had spent listening to the album’s opener “Iron Halo”.  Whether that was the pinnacle of  excellence or simply a delusion induced by my nostalgic mood is difficult to say for sure, but we are moving forward and even though he material presented on “Gather your Beasts” is slightly different from the band’s second effort, it is still heavy and down-tuned to the degree ferocious enough to reach the deepest bowels of the Earth…. Yes, too much blah-blah here. IT FUCKING GRABS YOUR BALLS TO SAY IN SIMPLE TERMS. 

The album starts with a couple of sludgy tunes “Five Curses” and “Gather your Beasts”.  Both tracks are complete with fuzzy distorted bass, throaty and ferocious vocals and thick riffage, but at some point have a Southern touch to it with occasional “bluesy” solos protruding from the impenetrable wall of heaviness. 

"The Great Mortality" proves to be a little deviation from the overall crudeness and aggression of the rest of the album, with obviously more metallic riffage  laying the foundation of the song and providing lethal dose of groove. This peaceful and accessible tone eventually evolves into comatose misery ( beginning from 4:30), with lengthy solo accompanying slow and repetitive riffs. This song is more representative of doom than sludge, but not even for a second it paints an image of being superfluous.

“The dream is Dead “ expand  the ideas of the previous songs , offering a catchy cocktail of  fuzzy riffage,  hypnotizing grooves and sick vocals proving that Australian guys still have what it takes to  deserve a place in my  top 5 best sludge albums of 2013.
And album closer “Pathways to oblivion”  is a remastered version from the Clagg's debut album "Let The Galaxy Burn" (2005). It Still full of hate and high energy !
“Gather your Beasts” is definitely adhering to the traditions of “ Lord of The Deep” and lacks the unfriendliness  of “Where the Dead Gods Sleep”, but still has everything what Clagg has been worshipped for. If you’re  still not familiar with Clagg, I could recommend this album to fans of Weedeater, Negative Reaction, Sleep, Iron Monkey, Sourvein, When the Deadbolt Breaks.

(Review by Den)






buy Clagg's CDs here (LPs are on the way too) :

8/27/13

Art As Catharsis news:

2 bands that worth to be mentioned on Robustfellow :
 
Snakes Get Bad Press - Residues
 
 
‘Residues’ is a seething mass of pounding drums, tortured screams and dissonance -- at times jarring and complex, at others subdued or incredibly catchy. The EP from this Sydney four-piece brings to mind forward-thinking hardcore from IDYLLS, Refused, Daughters, Gaza, The Chariot, and Robotosaurus
Featuring members of Totally Unicorn, Slowly Building Weapons, Jackals and Nobody Knew They Were Robots -- and with production handled by Tim 'The Wyzzarde' Carr at 301 Studios (Dumbsaint, We Lost the Sea, Adrift for Days, Matt Corby, The Herd, Fat Guy Wears Mystic Wolf Shirt) -- it’s no wonder why ‘Residues’ is sure to hit some punk top 10 lists this year.

‘Residues’ is out Friday 20 September on Art As Catharsis Records. The whole album is available now for streaming and download on Bandcamp.
 
 
Jackals - Dronepunk
 
Welcome to Jackals' Dronepunk; a mix of sludge-infused punk and doom-laden hardcore from Sydney noisemakers Jackals. 

 
'Dronepunk' is filled with intense, negative vibes for fans of Gaza, Botch, The Dillinger Escape Plan, Trap Them and Cursed. 

While the full album drops Friday 20 September through Art As Catharsis Records, you can stream and download two tracks here: 


6/20/13

Killsong - 2013 - He Is Risen


Get your own sorgasm, baby !

This album has previously appeared in "Sent by the band section" but I think it deserves a separate post.

Killsong comes from Australia and released by cool label "Art as Catharsis".

Absolute fresh mix of swing, rock, avant and spoken word sketches.
Frank Zappa will turn around in his grave if he'll hear once these awesome/twisting amigos.

This is juicy release that brings a smile to your face and makes your head banging in tact.

Leila Latisha everybody !




Stream/Buy :


4/23/13

Mother Mars - 2013 - Steam Machine Museum (Review) & exclusive 2 tracks streaming


 
 
Absolutely awesome 4th album by the Australian heavynauts.
It's long, massive and full of diversity.
The album will be released on the 24th of April on Pepper Shaker Records (band's own label). The band on this record is former 3 piece line up that has Marcus De pasquale on Guitar, Nathan Gatt on Key's, Paul Attard on Bass and Frank Attard on drums.

 
В то время,когда учёные всего мира ломают голову над вопросом есть ли жизнь на Марсе или нет,скромная австралийская группа Mother Mars приглашает всех желающих на экскурсию в Марсианский музей паровых машин.

В программу экскурсии включены 9 экспонатов,уникальных по своему виду и звуку. Организаторы подошли к делу с неподдельной серьёзностью и "профессиональным трепетом". Заглавная вещь - Down The Line начинаясь весьма неторопливо довольно быстро меняет темп создавая интригу для дальнейшего прослушивания и.....в дело вступает Low Frequent C's - монструозный шедевр в лучших традициях тяжёлого психоделического трипа. Но не подумайте,что он единственный - ведь впереди вас ждёт загадочная потусторонняя Terra Australis! К середине альбома неожиданно выскакивает Toki-Ho-Bo этакая казалось бы шалость среди прочих экспонатов - кусочек марсианского кантри или просто разминка для вашей встречи с Ней.......я говорю о Spacegirl. Теперь я уверен точно - мы не одни в космосе! Дальше вы оказываетесь на Astro Rodeo ,где за 7 минут Вам предстоит безмолвно объездить серъезного упрямого и жесткого инопланетного минотавра. А после этого милости просим - War Of The Gods - здесь всё масштабно как и подобает богам. Финальная композиция Larry - провожает вас до дверей умиротворенно и безмолвно,лишь хитро подмигнув напоследок - Приходите ещё,наш музей открыт для Вас с 26 апреля ежедневно!!! И я Вам обещаю -ВЫ БУДЕТЕ ЗДЕСЬ ЧАСТЫМ ГОСТЕМ!!!

(Review by Dron)

 
Stream first 2 tracks from the "Steam..."

"Down The Line"



" Low Frequent C's"

 
 
 
 
 

4/11/13

Planet of Zeus / FGWMWS Tours in 2013

"We are Planet of Zeus from Athens,Greece. We are ready to kick-ff our second European tour"
 
 
 
"Tonight We Hit The Road" Tour 2013

19.4 White Trash , Berlin, DE,
20.4 KB18 kødboderne, Copenhagen, DK
21.4 Logo Hamburg, Hamburg, DE,
23.4 Sonic Ballroom, Koln, DE
24.4 ACU, Utrecht, NL
25.4 Magasin 4, Brussels, BE
26.4 JUZ, Mannheim, DE
27.4 Litlle Devil, Tilburg, NL
28.4 Desertfest, London, UK
30.4 Pitcher, Düsseldorf, DE
1.5 Blue Devils officiel, Arras, FR,
2.5 Les Combustibles, Paris, FR, 
3.5 Infrared, Orleans, FR,
4.5 Brin de Zinc, Chambery, FR
5.5 Rumpelthum, St Gallen, CH
7.5 Rote Frabrik, Zurich, CH
8.5 Rockhouse, Salzburg, AT
9.5 Metro Music Bar, Brno, CZ
10.5 Madness Club, Wroclaw, PL,
11.5 Vortex, Siegen, DE
12.5 Rockpool, Halle, DE
14.5 Spatif, Sopot, PL
16.5 Politeia, Patra, GR
17.5 Boxx, Ioannina, GR
18.5 8ball Club, Thessaloniki, GR
19.5 Vox Club, Volos, GR

Greece. A country internationally known for its ancient history, democracy, sun, beaches, mustaches, olive oil, mousaka, tzatziki, bouzouki, souvlaki... Well, forget that. Open your arms and welcome the new heavy rock empire and its ambassadors, Planet of Zeus.

The hardest working rock band in the entire universe, who'll fear nothing and overcome every obstacle emerging on their way to heavy, sincere and loud rock 'n roll. Rumors about members of the band selling some of their parents' vital organs to finance their career have not yet been confirmed.

Having the re-issue of "Eleven the Hard Way" in vinyl format,
as well as "Macho Libre" re-issue in digipack cd on their luggage,
they once again hit the european roads.

www.planetofzeus.gr
https://www.facebook.com/planetofzeus
http://planetofzeus.bandcamp.com/
 

 

Fat Guy Wears Mystic Wolf Shirt

 
Fat Guy Wears Mystic Wolf Shirt's new album Dys/Closure is now streaming in full over at Art As Catharsis 
The 15 tracks of Dys/Closure are a chaotic musical catharsis featuring dissonant guitars, precise drumming and scorching mid-range vocals -- a mix of early Dillinger Escape Plan, Ed Gein, Orchid, Pig Destroyer, Botch and Cursed. 
 
Music video for Little Consequence
Fat Guy Wears Mystic Wolf Shirt recently teamed up with BARE Pictures to produce something a little different from your standard punk or metal video clip. 
 
Check it out to see what I mean:  


 
 
Australian tour with The Reverend Jesse Custer
Fat Guy Wears Mystic Wolf Shirt are hitting the road with Canberra's The Reverend Jesse Custer. 
Be sure to catch two of Australia's most intense live bands when they hit your town!

Tour of Little Consequence April/May 2013



 
 
26 April - Black Wire Records, Sydney
27 April - Phoenix Bar, Canberra (TBC)
3 May - Squatters Arms, Adelaide
4 May - Gasometer Hotel, Melbourne (TBC)
10 May - Via Studios, Brisbane
11 May - Fat Louies, Brisbane




Fat Guy Wears Mystic Wolf Shirt's new album Dys/Closure is out 15 April vs Art As Catharsis Records. The Reverend Jesse Custer's Perpetual Victim 10" is out now via Lesstalk Records.

 

 
 
 

 

3/26/13

Got Some News for you


Early Mammal


release their debut album 'Horror At Pleasure on 1st April 2013 via Devouter Records. They are launching that very excellent record at this Friends With Records night on 3rd April 2013 @ Catch in London!!



Event on FB

Full album stream :

Fat Guy Wears Mystic Wolf Shirt




 

Probably the best band name for past decade.
Support this incredible Australian band by pre-ordering their upcoming album. Dudes are amazing.




 
Local Tour is coming...

Heavy Glow




The band has just announced the following tour dates:


April 10-San Francisco/Neck of the Woods
April 11-Sacramento, CA/Luigi's Fungarden
April 12-Reno, NV/Shea's Tavern
April 13-South Lake Tahoe, CA/Whiskey Dick's Saloon
April 14-Fresno, CA/Audie's Olympic
April 15-Los Angeles/The Viper Room
Heavy Glow is touring in support of a 7" single release on March 12th. Recorded in L.A. and produced by Michael Patterson and Nic Jodoin (Beck, BRMC, The Morlocks, Spindrift, Trent Reznor.)